The cinematography for this is wild. Close ups, tilts, swerves, downright setting the camera on the ground - on it's side! - and turning it to an upright position. Which you may not care for, there are points that feel a little disjointed. You can consider it a parallel to Vincent's behavior if you like.
Unlike last year's "Loving Vincent", where we saw snippets of the artist through the subjects of his work, this one is a front-seat to a visionary of things we can't see, clinging to any person who remotely likes him.
I enjoy movies like this with strong biopic leanings but do not start out from birth to death in a Power-point esque production. There's time to stop and admire things as Vincent does.
No comments:
Post a Comment
Don't be shy, but don't be a dick either.